KIM JAE SHIN

김재신 작품전

2023.02.14 - 2023.12.30
  • KIM JAE SHIN
     

    One does not easily feel the multiple layers of labor, just as if it was completed by one simple and thick brush
    The layers of labor can be slightly glimpsed only if one looks at it closer
    One single chisel work that cuts out the multiple layers of color, creates the form, as well as the emptiness in one’s mind
    Multiple layers of filling, and the following single cut of emptying out
    Are the practices of clearing one’s mind in an attempt to become truly deeper.
     
     
     
     

    쓰윽 한번 두텁게 스친 듯 그 여러번의 수고가 빨리 와 닿지않는다
    자세히 보아야 그 수고의 층이 얼핏 보인다
    켜껴이 쌓은 여러 색을 베어내는 한번의 칼질로 유형이 되고 무심이 된다
    여러 겹의 채움와 한 칼의 비움은
    제대로 깊어지고자 하는 마음 닦음이다


    * JOTAK Technique  (KIM JAE SHIN Technique)
      Graving, Acrylic On Wooden Board
     
     
  • The story of Dongpirang,146*97cm, JOTAK Technique
  • The Tongyeng,146*97cm, JOTAK Technique
  • The story of Dongpirang,146*97cm, JOTAK Technique
  • The story of Dongpirang,61*98cm, JOTAK Technique
  • The story of Dongpirang,116.5*90.3cm JOTAK Technique
  • The Ialand, 83*116cm JOTAK Technique
  • The story of Dongpirang , 61*98.5cm JOTAK Technique
  • The tree, 25*73cm JOTAK Technique
  • The story of Dongpirang,65*25 (x3) JOTAK Technique
  • The Tongyeng,73*97cm, JOTAK
  • The Wave 162*97cm, JOTAK Technique
  • The Sea 73* 53cm. JOTAK Technique
  • The Sea 146x 97cm JOTAK Technique
  • The story of Dongpirang,122 * 82CM , JOTAK
  • Tongyeong landscape 146x 97cm JOTAK
  • 40호 바다 부분
  • 20호 바다 부분
  • 20호 바다부분
  • 조탁작업