KIM JAE SIN

김재신 작품전

2019.10.09 - 2020.03.31
  • KIM JAE SIN
     
    On the wooden canvas, the artist repeats the work of covering it with colors and drying them, to complete the multiple over 40 layers.
    The artist then predicts the color on the area to be carved, then color it again after carving.
    The layers of color that have been dried and colored are hard as the stone; the layers then are carved to the wanted depth of the color with a chisel.
    The chisel does what a brush usually does in normal drawing.
     
    One does not easily feel the multiple layers of labor, just as if it was completed by one simple and thick brush
    The layers of labor can be slightly glimpsed only if one looks at it closer
    One single chisel work that cuts out the multiple layers of color, creates the form, as well as the emptiness in one’s mind
    Multiple layers of filling, and the following single cut of emptying out
    Are the practices of clearing one’s mind in an attempt to become truly deeper.
     
     
     
     
    나무 위에 색을 칠하고 말리기를 반복하여 수겹(마흔여번)의 색층을 쌓는다 색을 파서 드러나는 색을 미리 예측하여 색 덧바르기를 한다 한 겹 한 겹 말리고 다시 칠하여진 색층은 돌처럼 딱딱하다 그 색층을 끌로써 원하는 색의 깊이만큼 파내려간다 보통의 회화에서 붓이 하는 역할을 끌이 하는 것이다
     
    쓰윽 한번 두텁게 스친 듯 그 여러번의 수고가 빨리 와 닿지않는다
    자세히 보아야 그 수고의 층이 얼핏 보인다
    켜껴이 쌓은 여러 색을 베어내는 한번의 칼질로 유형이 되고 무심이 된다 여러 겹의 채움와 한 칼의 비움은
    제대로 깊어지고자 하는 마음 닦음이다
     
     
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